Get Familiar with Panels in Adobe Illustrator CS6 . Install Horde Groupware Webmail Ubuntu on this page. This chapter is from the book . In the preceding chapter, you learned how to arrange them onscreen.

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Here you will see what the individual panels look like and be briefly introduced to their specific functions—from choosing color swatches (Swatches panel) to switching among artboards (Artboards panel) to editing layers (Layers panel). Note: In- depth instructions for using specific panels are amply provided throughout this book.

You can read through this chapter with or without glancing at or fiddling with the panels onscreen, and also use it as a reference guide as you work. Panel icons are shown on the next page. Following that, you’ll find instructions for using the Tools panel, a brief description of each tool, an introduction to the Control panel, then a description and illustration of all the other Illustrator panels that are used in this book (in alphabetical order). Note: To open a panel that isn’t already in a dock, choose the panel name from the Window menu. Identifying the panel icons.

Each panel in Illustrator has a unique icon. A If you keep the panels collapsed to conserve screen space, you can identify them by their icons. If you don’t recognize a panel icon, use the tool tip to identify it. AWhen collapsed, each panel has a unique icon. Using the Tools panel. In addition to the tools on the Tools panel, which are used for creating and editing objects, you will also find color controls, a menu or icons for choosing a drawing mode, and a menu for choosing a screen mode.

If the panel is hidden, choose Window > Tools to display it. To convert the panel layout from single column to double column or vice versa, either click the double arrowhead at the top or double- click the top bar. Click once on a visible tool to select it, or click and hold on a tool that has a tiny arrowhead to choose a related tool from a fly- out menu.

You can cycle through tools on the same menu by Option/Alt clicking the visible tool. To create a tearoff toolbar for a group of related tools, press and hold on the arrowhead for a tool, then click the vertical tearoff bar on the right edge of the menu. A–B To dock tearoff toolbars together, drag one tearoff toolbar to the side of an existing one and release when the vertical drop zone line displays. C–D To make a tearoff toolbar vertical instead of horizontal, click the double- arrow E–F or double- click the top bar.

To close a docked tearoff toolbar, drag it by its gripper bar out of its dock, then click its close button (x). AA tearoff toolbar is being created. BThe floating tearoff toolbar was moved upward.

CA second tearoff toolbar is docked to an existing one. DNow two tearoff toolbars are docked together.

EThe double arrow on a tearoff toolbar is clicked, to switch its orientation .. F.. The shortcuts are listed in parentheses on the next two pages, and also in the tool tips onscreen. G (Note: If the tool tips aren’t displaying, go to Illustrator/Edit > Preferences > General and check Show Tool Tips.)GThe tool shortcut displays in a tool tip. Some tools can also be accessed temporarily via a toggle key. For example, pressing Cmd/Ctrl turns the current tool into a temporary selection tool. You’ll learn many tool toggles as you proceed through this book.

To turn the tool pointer into a crosshairs icon for more precise positioning, go to Illustrator/Edit > Preferences > General and check Use Precise Cursors. Or if you prefer to keep that preference off, you can turn the pointer to a crosshairs icon temporarily by pressing the Caps Lock key. You can choose options for the current tool from the Control panel (see page 4. Some tools, such as the Paintbrush and Pencil tools, have a related options dialog, which opens when you double- click the tool or when you click the tool and then press Return/Enter. The Tools panel illustrated.

The tearoff toolbars*LIQUIFY TOOLS (apply distortion)SYMBOLISM TOOLS (edit symbol instances)The Control panel. The Control panel houses many frequently used controls conveniently under one roof, and changes contextually depending on what tool and kind of object are selected. Pro Evolution Soccer 2005 Patch 2012 Calendar. Two of the many variations are shown below. For example, you can use this panel to apply fill and stroke colors; change an object’s variable width profile, brush stroke definition, or opacity; apply basic type attributes, such as the font family and point size; align and distribute multiple objects; access controls for editing symbols, Image Trace, and Live Paint objects; and embed or edit linked images. When no objects are selected, you can use this panel to choose default fill, stroke, brush, style, and opacity settings for the current document and quickly access the Document Setup or Preferences dialog by clicking the button with that name.

To move the Control panel to the top or bottom, respectively, of the Application frame, choose Dock to Top or Dock to Bottom from the menu at the right end of the panel. Or if you prefer to make the panel free- floating, drag the gripper bar on the far left side. To control which options display on the panel, uncheck or check any of the items on the panel menu.

Options are in more consistent locations on the Control panel in Illustrator CS6 than they were in version CS5. Align panel The buttons on the top two rows of the Align panel align and/or distribute two or more objects along their centers or along their top, left, right, or bottom edges. Objects can be aligned to a selection, an artboard, or a key object (one of the selected objects).

Buttons in the lower part of the panel redistribute (equalize) the spacing among three or more objects. See pages 1. 05–1. This panel can also be used to align anchor points (see page 1. Align buttons also appear on the Control panel when two or more objects are selected. Appearance panel The appearance attributes of an object consist of its fill and stroke color, Stroke panel settings, effects, and Transparency panel settings. The Appearance panel lists the specific appearance attributes and settings for whichever layer, group, or object is currently targeted on the Layers panel.

You can use the panel to add extra fill or stroke attributes, edit or remove attributes, apply and edit effects, and edit individual attributes within an applied graphic style. Using convenient in- panel features, you can edit attributes quickly. For example, you can click a link (blue underlined word) to open a dialog or a temporary panel: Click Stroke to open the Stroke panel, Opacity to open the Transparency panel, or the name of an effect to open its dialog.

To open a temporary Swatches panel, click the Stroke or Fill color square, then click the thumbnail or arrowhead (or Shift- click the latter to open a temporary Color panel). See Chapter 1. 4. Artboards panel In addition to listing all the artboards in the current document, the Artboards panel lets you display, create, rename, and duplicate artboards; change their order; rearrange them in the document; choose options for them; change their orientation; and delete them.

The Artboard Options dialog opens when you double- click the artboard orientation icon, which is located to the right of the artboard name. See pages 7–1. 2 and 2. Attributes panel The Attributes panel lets you choose overprint options for an object (see page 4. You can also use this panel to create a hotspot for Web output. Assign an image map shape and a URL to a selected object, then to verify the URL in the Web browser that is currently installed on your system, click the Browser button. Brushes panel There are five varieties of decorative brushes that you can apply to paths: Calligraphic, Scatter, Art, Bristle, and Pattern.

You can apply a brush either by choosing the Paintbrush tool and a brush and then drawing a shape, or by applying a brush to an existing path. To personalize your brush strokes, you can create and edit custom brushes.