The No- Frills Way to Watermark Memos and Track Leaks. Let’s say you need to send a private message to a group of people, but you’re afraid one of them will leak the message elsewhere, and you won’t know who. Fast Forward Labs has a rough- and- ready solution that will expose anyone who publicly copies and pastes your message, without letting them know they’ve been caught. Identify elements of your memo that can change without anyone noticing: Whether you use double or single quotation marks; whether you write out numbers like three or use numerals like 3; whether you use semicolons or commas in a list.

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The subtler the difference, the better. If you want to get a little sneakier, you can replace certain letters with similar- looking Unicode characters, but as FF Labs points out, these special characters might be exposed if the message is converted into plain text. Now, instead of BCCing everyone on one email, send each recipient their own BCC.

As long as your recipients are used to receiving group messages via BCC, they won’t know the difference. On each BCC, make a different subtle change. FF Labs suggests combining different changes to increase your possible unique messages: One recipient gets “three”; one gets “3”; one gets . Now if anyone reveals your message to the public, you can check it against your outgoing emails and identify the leaker. If your changes are subtle enough, they might never know how you caught them.

The Uncanny Sound Illusion That Creates Suspense in Christopher Nolan's Movies. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Well, maybe that’s overstating things a bit. But the director does have a knack for creating an unnerving degree of tension. Turns out he’s using a little bit of musical magic to do it.

The magic is actually a science- based audio illusion called a Shepard tone. Named after psychologist Roger Shepard, a pioneer in our understanding of spatial relation, the effect sounds like an infinitely ascending or descending scale. The tones are constantly moving upwards or downwards, but they never seem to reach a pinnacle or nadir. This is accomplished by stacking scales on top of each other—typically one treble scale, one midrange, and one bass—with an octave in between, then playing them in a continuous loop.

A Shepard tone is sometimes referred to as the barber pole of sound. You can even see the similarity, when you hear it and look at the spectrum view of a Shepard tone. Don’t listen to this too long, or you might lose your mind: Anyways, Christopher Nolan just loves this. Easy Dvd Player Crack Keygen For Winzip there.

Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Marriage License In State Of Arkansas more. Well, maybe that’s overstating things a bit. Yamaha ds1x driver you, Tinkerbell and the mysterious winter woods full movie, Viitor cu cap de mort pdf download.

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With longtime collaborator Hans Zimmer, the acclaimed director has used a Shepard tone in almost every one of his films in the last decade. He even writes his scripts to match the effect. In a recent interview, Nolan explained how he used Shepard tones in his newest film, Dunkirk: The screenplay had been written according to musical principals. There’s an audio illusion, if you will, in music called a “Shepard tone” and with my composer David Julyan on “The Prestige” we explored that and based a lot of the score around that. And it’s an illusion where there’s a continuing ascension of tone.

It’s a corkscrew effect. It’s always going up and up and up but it never goes outside of its range. And I wrote the script according to that principle. I interwove the three timelines in such a way that there’s a continual feeling of intensity.

Increasing intensity. So I wanted to build the music on similar mathematical principals. Knowing this, you gain a deeper understanding of films like Interstellar, Inception, and The Prestige.

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It also explains why these films seem somehow inconclusive. A Shepard’s tone creates a conflict that can’t be resolved, just like Nolan’s plots.